Henry David Thoreau

Photographer's Forum Magazine

If you’re a reader, and you’re tuned into the sense of place that is critical to the work of many great writers, this handsome book is for you. The photographs capture the essence of the places that inspired 26 American writers, from Thoreau to Steinbeck to Faulkner to Proulx to Dove. The text is readable, to-the-point, thoughtful and economical, with the photographs providing the perfect amplification. Read More »

Blue Highways

It is now August 12th. In less than two months, my wife and son and I will be hitting the road in a one-way Budget SUV rental, headed from Santa Monica, California to Boston, Massachusetts. It will be a reverse journey in terms of the history of American literature: the California coast that became a symbol of promise—of sunshine and well-defined noirish shadows—backwards through Salt Lake City—the location that Brigham Young declared was “the right place” for his band of followers in 1847, eastward over the Rockies, through the prairies and past the isohyetal line of rainfall that defines the American Desert, back through the settlements of farms and white houses of Illinois and Ohio. A stop along the way will be Cooperstown, New York, founded by the father of James Fenimore Cooper—once the greatest “painter” in words of the American landscape. Then we will pass through the Berkshires of Massachusetts (once home to Melville and Hawthorne) on the way to Boston and to Concord, where the first shots of the Revolutionary War had been fired, and the first blood spilled, before Emerson, Hawthorne, Thoreau and Alcott made it their home. As preparation, I have been reading a book I [...] Read More »

July 31

July 31 Today we uploaded the files for the jacket and the endsheets. The only element that hasn’t been sent off to Toppan Printing is the layout for the foil stamping on the spine of the book. After two years and seven months of inspiration, travel, and toil, A JOURNEY THROUGH LITERARY AMERICA is on the verge of being fully realized. Only a slight sliver of foil remains. We have seen first and second proofs for the main part of the book. These are called “press proofs” or sometimes “wet proofs.” They are printed on the same paper that the book will eventually be printed on (Japanese Oji White A Matte), on proofing presses that aren’t as large as the behemoths that will print the book, but are still quite formidable pieces of equipment. So, what I am actually holding in my hand is about as good a facsimile of how the book will look when it is finally printed as one could get. Sadly, press proofs are on their way to becoming an obsolete technology, to be replaced by digital proofs. It still seems like magic to me how, using the bright inks of cyan, magenta and yellow—in shades [...] Read More »

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